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Many of the youth involved with the Girls Club identify somewhere along the LGBTQ+ spectrum, she's noticed, and she wanted to create more space for them to reach their potential. " really a boutique hotel brand, but it connects to local communities as well in each neighborhood that we're in," Dimayuga says, mentioning her work with local groups such as Performance Space, the birthplace of performance art in New York City down the block, and the Lower East Side Girls Club, a mentorship program for teens where she's a culinary advisor. A small, chic, and colorful cocktail bar, its booths are decked in cow-print to accompany queer artist Dachi Cole's signature black cowboy work on its mirrored walls. One of her first projects was to create No Bar, a queer-inclusive lounge that sits streetside at The Standard, East Village, one of the first and only gay bars within a major hotel. She famously revolutionized the restaurant Mission Chinese before joining Standard International (which owns and operates the chain of hip, boutique Standard hotels) as its creative director of food and culture in 2018. "Which is most places,” she adds.ĭimayuga doesn't have a background in nightlife, but her experiences as a queer woman of color (she's Filipino-American), chef, and cultural tastemaker have helped.
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"Honestly, if it upsets you and you feel oppressed by our pricing system because it doesn't include you, think about all the people that it does include, and how they feel oppressed when there's oppressive pricing systems that don't include them," Dimayuga says. GUSH has thrived despite these realities, or perhaps because of them, which have spawned measures like their door policy, which at the very least sparks necessary conversations about safe spaces and economic disparities. cities (including Chicago, Los Angeles, and Portland) have zero bars dedicated to queer women, despite sizable communities who live there.īut the blame often falls on queer women themselves, too, for in-fighting, gender policing, or simply not showing up. Women are therefore less likely to own and operate their own brick-and-mortar businesses, which is why many major U.S. White women reportedly earn 77 cents to every man's dollar more marginalized women and QTPOC receive even less. Queer women frequently lament the loss of dedicated spaces like lesbian bars, music festivals, and bookstores, and the blame often correctly falls on America's patriarchal landscape.